乔纳斯· 伯格特
Jonas Burgert
乔纳斯•伯格特1969年出生于德国柏林。他于1996年毕业于德国柏林美术学院，并师从Dieter Hacker教授，攻读硕士(Meisterschueler)学位。他每次提笔都会描绘出一个舞台：一笔一布景。伯格特的作品上演了无止境的戏剧，演出他认为人类存在的意义：理解自身的人生目标。这是一个似乎尚无定论的追求，但它打开了推理、想象和欲望等多个领域的大门。巨大的画布上挤满了不同比例的幻想人物。
Jonas Bergert was born in Berlin, Germany in 1969. He graduated from the Berlin Academy of Fine Arts in 1996 and studied under Professor Dieter Hacker for a Master's degree (Meisterschueler). Every time he raises his pen, he will depict a stage: a scene with each stroke. Bergt's works perform endless dramas, portraying what he believes is the meaning of human existence: understanding one's own life goals. This is a seemingly inconclusive pursuit, but it opens the door to multiple fields such as reasoning, imagination, and desire. The huge canvas is filled with fantasy characters of different proportions.
240×180厘米
布面油画 2017
220×180厘米
布面油画 2022
乔纳斯·伯格特的作品所传达的经验与站在镜子前。他反映了最深层次的内部运作，我们的存在，让我们瞥见另一个地方，敞开心扉——或者是撕开一个全新的宇宙。
这位德国艺术家主要创作大型绘画作品被物体、动物、人和异想天开的实体分解和不断变异。渺小的人和巨大的生物溢出来 裂缝，在花瓣之间腐烂或沉入暗淡的床单，眼睛盯着虚空。伯格特的画作逃避了直截了当的解释，他们探索了 更高的现实，通过人格唤起世界末日，具有多种内心生活。主题被描绘成这样完全可识别，尽管在象征层面上，有人在皮肤上携带油漆，身体细长的女人，磨损由植物纤维和抹布制成的衣服。不断需要描绘希望、失败，美丽和困惑。通过他的画作， 艺术家努力创造致力于精神的空间，代表我们自己——让观察者变成一个生物，这个描绘的现实中的人物。
The experience conveyed by Jonas Bogart's works and standing in front of a mirror. He reflects the deepest level of internal operation, our existence, allowing us to glimpse another place, open our hearts - or tear open a whole new universe.
This German artist mainly creates large-scale paintings that are decomposed and constantly mutated by objects, animals, humans, and whimsical entities. Tiny people and huge creatures overflow through cracks, rotting between petals or sinking into dim sheets, staring into the void. Bergt's paintings evade straightforward explanations, exploring higher realities, evoking the end of the world through personality, and possessing various inner lives. The theme is depicted as completely recognizable, despite symbolically carrying paint on the skin and wearing clothes made of plant fibers and rags by slender women. We constantly need to depict hope, failure, beauty, and confusion. Through his paintings, the artist strives to create a space dedicated to the spirit, representing ourselves - transforming the observer into a living creature, a character depicted in reality.
schlag Luft
oil on canvas
360x540cm
2019
Handler
oil on canvas
280x220cm
2019
blindstill
oil on canvas
120x110cm
2019
Sie fing
Oil on canvas
90 x 80 cm
2019
leichter
oil on canvas
90x80cm
2019
Luft schleift leicht
oil on canvas
400x280cm
2018
bleibt
oil on canvas
90x80cm
2018
Klammleicht
oil on canvas
240x200cm
2017
乔纳斯·伯格特（Jonas Burgert）提供的艺术成功地在表面和空间之间创造了一种灿烂的张力幻觉。艺术家迷人的女性形象陷入了可识别性和抽象性之间的紧张状态。过分拉长的人物摆出优雅的姿势，装饰着丝带和荧光色，在破旧的磨损墙壁前，他们的脸上朴实而梦幻。他们戴着鸟项链，目光茫然，藤蔓缠绕在他们的头上，长条纹长袍。他们是反映在虚空中的人物，他们从中观察他们的替身。虽然这些剪影让我们读懂了这幅画的故事，但女性气质的抽象意义要强大得多。没有一个提到他们的，但他们是感性的和活泼的，实现女性而不是代表她们。
The art provided by Jonas Burgert successfully creates a brilliant illusion of tension between surface and space. The charming female image of the artist is caught in a tense state between recognizable and abstract. The overly elongated characters pose elegantly, adorned with ribbons and fluorescent colors, and their faces are simple and dreamy in front of the worn out walls. They were wearing bird necklaces, their eyes dazed, vines wrapped around their heads, and long striped robes. They are characters reflected in the void, and they observe their substitutes from it. Although these silhouettes help us understand the story of this painting, the abstract meaning of femininity is much stronger. No one mentioned them, but they are emotional and lively, achieving women rather than representing them.
作品欣赏
乔纳斯·伯格特：
"通过色彩，我试图记录我们当下的愤世嫉俗，我们所有人都受制于媒体的聚光灯下娱乐疯狂。这种背信弃义，用不断新的消费麻醉剂麻醉我们，并在此过程中摧毁我们自己和环境。"
Jonas Bergert:
"Through color, I attempt to document our current cynicism, as we are all subject to the media's spotlight and entertainment frenzy. This treachery, using constantly new consumer anesthetics to anesthetize us and destroy ourselves and the environment in the process"
