这周天下午在伦敦市中心茶馆有班级聚会，为了方便，我选择了最近的国家美术馆，而且我选择小部分先介绍，其他以后补上，我想每位来英旅游的人都会去英国国家美术馆，这里你可以鉴赏到西欧艺术顶级杰出的一批收藏。两千三百多幅画作，给您数百个不容错过的理由。博物馆.免费入场: 每天上午 十 点至下午 六 点，周五上午 十 点至晚上 九 点，The National Gallery, 地址：Trafalgar Square, London WC2N 5DN
Vincent Van Gogh (1853-1890)
Sunflowers .1888.Van Gogh associated the color yellow with hope and friendship.he suggested that his four sunflowers canvases painted to decorate his house in Aries .express an “idea symbolising gratitude”.he seems to have been especially pleased with his picture.which he hung in the guest bedroom in anticipation of the arrival of his friend.the artist Paul Gauguin.
文森特.梵高（1853-1890）
传说中的 （向日葵）。梵高的代表作之一，作于1888.梵高将黄色与希望和友谊联系在一起。他的四朵向日葵花瓶装饰在他的房子里，表达了一种“象征感激的想法”。他似乎对他的照片特别满意。 他预先邀请他的朋友，艺术家Paul Gauguin到客房参观。
Vincent Van Gogh（1853-1890）
A Wheatfield,with Cypresses 1889
Cypress trees reminded Van Gogh of “Egyptian obelisks”.these dark trees were in a wheatfield close to the St-Remy mental asylum near Arles where the artist spent a year as a patient .they stand straight and tall in the middle of the wheat .and make a strong and deliberate contrast with the receding horizontal bands of the yellow field ,blue hills and sky
文森特梵高（1853-1890）
麦田，有柏树1889年
柏树提醒梵高“埃及方尖碑”。这些黑暗的树木在靠近阿尔勒附近的St-Remy精神病院的麦田中，艺术家在那里呆了一年，作为一名病人。他们站在小麦中间，直立高挑。 并与黄色田野，蓝色山丘和天空的后退水平带形成强烈而刻意的对比
Claude Monet 1840-1926
The beach at Trouville.1870
Monet painted this sketch of his wife .on the left .and a friend while on honeymoon in the qsummer of 1879.he worked in the open air .Grains of sand and shell from the beach are still embedded in the paint surface.
克劳德莫奈1840-1926
特鲁维尔海滩1870
莫奈在1879年夏天在蜜月期间 在沙滩画了一张他的妻子的草图。因为在露天工作的，沙滩上的沙子仍然嵌在油漆表面
The red ballet skirts
Honore -Victorin Daumier (1808-1879)
On Quixote and Sancho Panza.about 1855
Daumier illustrates the episode from Cervantes’s novel where Don Quixote charges two advancing armies .His servant Sancho Panza knows that they are merely dust clouds caused by flocks of sheep and implores his master to return .Traces of an earlier sketch of the two figures are visible in the sky
Honore -Victorin Daumier（1808-1879）
在约瑟夫和桑丘潘扎. 约1855年
杜米埃说明了塞万提斯的小说中唐吉诃德指控两个前进军队的情节。他的仆人桑丘潘沙知道，他们只是羊群造成的尘埃云，并恳求他的主人返回。这两幅图的早期剪影的踪迹可见于天空
Claude Monet (1840-1926)
Bathers at la grenouillere 1869
克劳德莫奈（1840-1926）
泳客在la grenouillere 1869年
John constable (1776-1837)
The hay wain 1821
The hay wain is the horse-drawn wagon shown crossing a Ford .in the distance labourers can be seen cutting hay in the fields the scenery is that of the river stour in constables native Suffolk .the red-roofed .whitewashed building on the left was the home of a local farmer .willy Lott.
约翰·康斯特布尔（1776-1837）
干草1821年
干草是一辆穿过福特的马车。远处的工人们可以看到，在田野里萨福克郡警察局的河道上，风景是田野上的干草。左边是红色的顶棚，白色的建筑物是 当地农民的家乡。沃利洛特。
Jean-Augusta-Dominique Ingres 1780-1867
Monsieur de Norvins 1811-12
The sitter was the Chief of Police in Napoleonic Roma (1810-14).a bust.perhaps representing Napoleons son .was originally included at the top left .this detail was painted over .presumably after the fall of Napoleon .as the oil paint has become more translucent over time .it has re-emerged as a ghostly presence
Jean-Augusta-Dominique Ingres 1780-1867
Monsieur de Norvins 1811-12
这位保镖是拿破仑罗马的警察局长（1810-14）。或许代表拿破仑的儿子。原本是左上角的。这个细节在拿破仑倒台之后被涂成了油画。 随着时间的推移变得更加半透明，它已经重新出现了幽灵般的存在
Elisabeth Louise Vigee Le Brun 1755-1842
Self Portrait in a straw Hat .after 1782
The work seems to have been inspired by Rubens’s Portrait of Susanna Lunden .called ‘Le Chapeau de Paille’(The Straw Hat ).also in the National Gallery .which Vigee Le Brum has seen in Antwerp .in fact Rubens portrayed Susanna Lunden is a felt hat .in her self portrait Vigee Le Brun tidied up this anomaly
Elisabeth Louise Vigee Le Brun 1755-1842
自画像在草帽之后。1782年
这部作品似乎受到了鲁本斯的苏珊娜伦登肖像的启发，称为“草帽”。也在国家美术馆中，维格·勒布鲁姆在安特卫普见过。事实上，鲁本斯描绘的苏珊娜伦登是一个感觉帽子。而在她的自画像中Vigee Le Brun收拾了这个异常。
Hilaire-Germaine-Edgar Degas 1834–1917
Beach Scene.about 1869-70
A young girl lies on a towel a beach .while her nurse combs her hair after a swim.her bathing costume .parasol and basket are arranged in a diagonal line on the right.this scene .flanked by more bathers and ships .is completely imaginary Degas recalled he laid a flannel waistcoat on the floor of the studio .and had the model sit on it
海滩场景约1869-70
一位年轻女孩躺在沙滩上的毛巾上，而她的护士在游泳后梳理她的头发。沐浴服，躺椅和篮子安排在右边的一条对角线上。这个场景被更多的泳客和船只所包围。完全是虚构的，德加斯回忆说，他在工作室的地板上放了一件法兰绒背心，并让模型坐在上面
Gustav Klimt (1862-1918)
Portrait of Hermine Gallia.1904
The great Viennese painter found a steady clientele for his portraits among the city’s most .elegant and enlightened patronsses.klimt designed the dress hermine Gallia wears .and the canvas as a whole echoes its subtle colonies and rich decorative vocabulary
古斯塔夫克里姆特（1862-1918）
Hermine Gallia.1904的肖像
这位伟大的维也纳画家发现他的画像在这座城市最优雅和开明的顾客中找到了稳定的客人.klimt设计了Gallia穿着的裙子，画布作为一个整体,与其微妙的殖民地,和丰富的装饰词汇相呼应.
Hilaire -Germain-Edgar Degas(1834-1917)
Carlo Pellegrini,about 1876
The silhouetted figure of degas’s cartoonist friend imitates pelligrini’s own drawing style ，pellegrini gesticulates with a cigarette towards an unknown friend.while contriving to hold his hat behind his back .in about 1876-7 he painted a portrait of degas .and this picture was degas’s return present
Hilaire-Germain-Edgar Degas（1834-1917）
Carlo Pellegrini，约1876年
德拉斯的漫画家朋友的剪影人物，模仿了佩里格里尼自己的绘画风格，佩莱格里尼用一支香烟朝着一个陌生的朋友指指手势，同时设法在背后戴着他的帽子。约在1876年7月，他画了一个脱气画像，这张照片是德加的返回礼物。
Tomas Gainsborough
The painters Daughters with a cat about 1760
The painting is unfinished and the outlines of a cat are just visible in the younger girls lap.her sister Mary is tweaking its tall .mary is shown here aged about nine of ten .margaret is eight
Tomas Gainsborough
画家女儿与一只猫。 约1760年
这幅画是未完成的，一只猫的轮廓在年轻女孩的膝盖上可见。她的姐姐玛丽正在调整她的身材,显示的年龄大约为十岁，玛格丽特是八岁。
Rembrandt 1606-1669
Self portrait at the age of 63.1669
Rembrandt appears quite frail in this moving likeness painted in the final year of his life .his hands are limp.his skin is pasty.and even his characteristic wiry hair seems subdued .still.the portrait is painted with great sensitivity.paint is thickly applied in the highlighted areas of the face .while darker areas are more thinly painted
伦勃朗1606-1669
自画像63.1669岁
伦勃朗在他生命的最后一年画的这种动人的形象，看起来相当虚弱。他的手很柔软，皮肤是肉馅的，甚至他特有的柔顺的头发似乎也被制服了，但是这幅肖像被画得非常敏感。 特别是脸部突出显示的区域，而暗部区域则涂得很薄。
这是伦勃朗的女朋友
Rembrandt 1606-1669
Self portrait at the age of 34 1640
Rembrandt presents himself as wealthy,successful and confident .in keeping with his position as one of Amsterdam’s leading painters .his pose is taken from Titian’s man with a Quilted sleeve(on display elsewhere in the gallery).which was then thought to depict the Italian poet ludovico Ariosto .copying this famous pose was a bold statement:that painters were the equal of poets .
伦勃朗1606-1669
自画像在34 1640年龄
伦勃朗表现自己富有，成功和自信。保持着他作为阿姆斯特丹主要画家之一的地位。他的姿势是从提香的作品“男人身上有一件绗缝袖”（在其他画廊展出过），然后被认为描绘了意大利诗人ludovico Ariosto， 复制这个著名的姿势是一个大胆的做法，画家和诗人地位是平等的。
Francois Boucher (1703-1770)
Landscape with a water mill 1755
Rembrandt
Portrait of Archje Claeadr 1634
