1919 - 1928
MODERNISM
Some artists-turned-fashion creators were inspired by the past.
Others, spread around Europe and in post revolutionary Russia, looked toward a variety of futures and created clothes for the new world.
Aleksandr Rodchenko in Russia and Thayaht in Italy developed an early form of the functional overall, and Hungarian Laszlo Moholy-Nagy customized existing work wear.
The Italian Futurists’ love of speed and movement found expression not only in their art, but also in bright, one-off clothes with abstract patterns.
Varvara Stepanova and Lyubov Popova designed textiles based on universal shapes to rationalize mass production in Russia.
In Paris the Russian-born Sonia Delaunay also used geometric forms in bright colors but in the service of the moneyed few.
That the straight silhouette of the 1920s lent itself to decoration with regular lines and shapes occurred to creative people besides artists, and similar designs could be found outside elite fashion.
1919 - 1928
现代主义
一些艺术家转变成时尚制造者是受到之前时代的启发。
还有一些，遍布在欧洲大陆与后革命时期俄罗斯中，创造与走向一个崭新的未来。
俄罗斯的Aleksandr Rodchenko和意大利的Thayaht开发了一种整体功能的早期形式，而匈牙利的Laszlo Moholy-Nagy则定制工作制服。
意大利未来主义者对速度与运动热爱，不仅体现在他们的艺术中，还存在在他们明亮的一次性的抽象图案服装中。
Varvara Stepanova与Lyubov Popova设计了基于宇宙形状的纺织品，使俄罗斯开始走向批量生产。
在巴黎，俄罗斯出生的Sonia Delaunay也同样使用明亮颜色的几何形式来表现，但这仅是少数富有人士的专利。
二十世纪20年代的直线造型，是规则线条与形状的自我装饰，它们来自一批除艺术家以外的创意人士，同样类似的设计可以在当时的精英杂志上找到。
